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Ghost Soldier (2026)

Ghost Soldier (2026) - Movie Poster. The movie poster features a man in tactical gear, holding a rifle, with a determined expression on his face. The background is filled with smoke and debris, creating a chaotic and intense atmosphere. The text on the poster reads "JIM CAVIEZEL" at the top, followed by "HEAVEN SENT. HELL TO PAY." Below the character, the title "GHOST SOLDIER" is prominently displayed in large, bold letters. At the bottom, it states "IN THEATRES NOVEMBER 11," indicating the release date. The overall design suggests a high-stakes, action-packed film.

Ghost Soldier (2026)

PG-13 90 minutes - Opens 13 November 2026
Action, Thriller
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Overview: Henry “Fitz” Fitzgerald has spent years living quietly off the grid, hiding from a past few people know anything about. But when a powerful foreign corporation moves into his hometown to seize his neighbors’ land for a massive payday, Fitz is forced to reveal who he really is: a former Special Forces soldier and advanced weapons developer. Armed with experimental technology, lethal combat skills, and an unwavering code of justice, Fitz wages a one-man war against an enemy that never saw him coming.
Tagline: Heaven sent. Hell to pay.

Collections:        William Eubank
Composer:       Brandon Roberts
Cinematographer:    Agustin Claramunt
Original Title:      Ghost Soldier

Details

Official Website:  https://ghostsoldier.movie
Country:         United States of America
Language:       English
Release Date:    13 November 2026
Budget:     $110,000,000

Technical Specs

Runtime:  1 h 30 min
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Summary / Coverage / Press for Ghost Soldier (2026)

Critical Consensus Summary: Ghost Soldier (2026)

Directed by William Eubank and starring Jim Caviezel, the action-thriller Ghost Soldier has debuted to mixed-to-negative reviews, holding a Metascore of 46 based on initial critic takes. Reviewers generally characterize it as an uninspired, retro B-movie revenge flick—praising its straightforward 1980s-style action beats while criticizing its flat execution and weak thrilling elements.

Key Reviews & Outlets

  • Glenn Kenny (The New York Times) Highlights the film’s straightforward efficiency, noting that the brisk satisfaction of watching Caviezel’s character knock down antagonists is the movie’s main raison d’être.
  • Nick Schager (The Daily Beast) Acknowledges the plot is “woefully hackneyed,” but finds some enjoyment in its jingoistic B-movie spirit that feels right at home in the 1980s.
  • Josh Bate (Screen Rant) Critiques the action sequences—most of which arrive in the third act—as competent but far from jaw-dropping or nail-biting, noting that the movie ultimately slips into the plain and ordinary.
  • Clint Worthington (RogerEbert.com) Delivers a harsh review, panning the film for failing to offer solid action to redeem its “odious politics” and concluding that its thrills are completely incorporeal.

 

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